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REVIEWS
CD "Water and Light" Review from The Organ,
2008
"Scott Montgomery was the 2006 first prize winner in the American
Guild of Organists National Young Artist Competition in Organ
Performance, and it shows from stylish performances of music as
different as John Cook’s Fanfare, de Grigny’s Ave Maris
Stella, Bach’s An Wasserflüssen Babylon and the 9/8
Prelude and Fugue in C major, BWV 547, pieces from Messiaen’s
Livre Du Saint Sacrement and Vierne’s Piéces de Fantasie,
finishing with the Choral Fantasy on ‘Wie schön leuchtet uns der
Morgenstern’ by Reger. Here is an artist of great promise-
technically assured and well able to interpret very different styles
of music. I particularly enjoyed his full treatment of the fugue in
BWV 547.
Montgomery
is obviously ‘one to watch’, and it is especially good to hear this
fine four manual Mander organ; would that we had more of them on this
side of the Atlantic."
Dedication of the Lauck Organ at Emmanuel Episcopal Church, Petoskey,
MI
“You truly made it a festive occasion. Your playing was flawless,
musical, and expressive. Your rapport with the audience was amazing!
You gave the parish a feeling of pride, joy and accomplishment through
your musical gifts and personality. This was an event our people will
remember and treasure for years to come.”
Joe
Fortin, Director of Music and Organist
Charleston
Daily Mail, September, 2007
"Illinois organist
Scott Montgomery seemed at home on the bench of the Holtkamp organ at
the Baptist Temple.
As the 2006 winner of the National Young Artists Competition
in Organ Performance, one expected his technical abilities to be of
the highest order, and they were, but it was his playing in the second
half of Sunday’s concert that interested me most.
Montgomery played as
part of the Orgelfest series, which is back after a two-year absence.
The second-half opener was a work by Felix Mendelssohn
Bartholdy, his Sonata No. 2 in A Major. After a rousing revelation of
the first movement,
Montgomery
settled into the second movement.
For me, this is where the music began. He handled the work
like one might prepare a small fish, very gently.
At no time was there the least suggestion of urgency and yet,
he never allowed the mood of the music to lay fallow. Next up was two
pieces from Louis Vierne’s Pieces de Fantaisie.
The first of these, Naiades, had
Montgomery’s right
hand playing the 5,000 notes that very clearly denoted the rippling
water that sustained the floating melody like a buoyant sycamore leaf
in autumn.
Vierne’s second selection, Claire de lune, move me more like a
haiku bu the master poet Kobayashi Issa than the melodies of the other
famous French Composition by Debussy. Vierne’s moon is more real than
romantic, and more mysterious because of the reality.
There were plenty of “big” works on the program by Bach and
Widor to sate the hunger of those with bigger appetites, and
Montgomery handled
them with great aplomb. But for me, those quiet, introspective middle
works revealed more of this artist’s musical integrity and hint at
greater things for him and, if we are lucky, those of us who listen as
well."
Rick Justice
National Young Artist Competition in
Organ Performance 2006
"Montgomery is to be congratulated for winning not only the first
prize, but also the audience prize, the first person in the history
of NYACOP to do so...[H]e is a confident performer who conveys
musical ideas not through flamboyance but through super-solid
playing."- The American Organist
"There
were many memorable events in the recent National AGO Convention in
Chicago...The highlight for me as an organist was the incredible
playing of Scott Montgomery, the winner of the AGO Organ
Competition. His sensitive approach to a chorale prelude by Georg
Bohm, and his rock solid, beautifully-phrased playing of Bach's
Fantasia and Fugue in g minor bodes well for the future of organ
playing in our country."- Howard Slenk, Dean of the Grand Rapids
AGO
"Great
sense of drama....'Walls of Water' [Messiaen] was precise and
strong.....You presented exactly what Messiaen asked for. Excellent
communication."- Christa Rakich, chair of the Organ Department at
New England Conservatory
"Rhythmic control and self-assurance come across as very mature and
well-grounded...Very compelling!"- Boyd Jones, Price Professor of
Organ, Stetson University
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